bonnes affaires - ebay - marques...

Non, non, les trois de trois endroits différents, bien sûr... La" Palm" me fait quand même furieusement penser à une Eastman: même usine?

tout à fait d'accord pour la palm je me suis fait la même réflexion

Oui... moi aussi... j'ai comme une intuition

Une Godin avec sortie synthé, pour faire un quartet à trois...

tantant, mais limité quand même pour l'orgue.
c'est une option qui resurge de temps en temps dans mon esprit ,mais un clavier pour l'orgue ce n'est pas mal non plus .

Rhaaa je suis content de ce que j'ai maintenant, mais parfois elle me manque un petit peu cette godin multiac jazz

Je dois avouer que je n'aime pas trop ces sons synthé-tiques...
Heyn Van Geen, le bassiste intervenait beaucoup dans le super reportage de la semaine dernière sur ce charmant personnage qu'est Toots Thielemans ...

Pour ceux qui voudraient s'initier aux sports de glisse pour pas trop cher:
http://www.rondomusic.com/LG1na.html - 115$

Citation :

Pour ceux qui voudraient s'initier aux sports de glisse pour pas trop cher:

ne ferais tu pas partie du "ceux" ???

... avec 12h de plus par journée, sûrement!

igor a écrit:

Pour ceux qui voudraient s'initier aux sports de glisse pour pas trop cher:
http://www.rondomusic.com/LG1na.html - 115$

Vous avez toujours le chic pour trouver des trucs terribles à des prix imbattables, dzs choses dont on a à première vu on a aucune utilité ou alors auxquels on ne penserait pas mais une fois découverts, on les veut de suite!!!!!!!!!!
J'en veux!!!!!!!!!!!!!!!!!!!!!!

Jean-Pierre a écrit:

Une Godin avec sortie synthé, pour faire un quartet à trois...

https://www.youtube.com/v/PCh2Nx5J-CM

Nice axe ...

Ca y est, il parle comme talou...

Ben non, c'est elle qui parle comme moi ... Après tout, c'est moi le prof d'anglais

c'est joli une hache ????

Pour les LesPauliens: une belle LP Supreme naturelle chez Jeff Hale:
http://cgi.ebay.com/2006-Gibson-Les-Paul-Supreme-With-Flame-Top-And-Back_W0QQitemZ280301263426QQihZ018QQcategoryZ47072QQtcZphotoQQcmdZViewItem

la LP supreme est un modèle de LP très particulier avec un corps chambré la plus originale et certainement la plus recherchée des LP récentes

Une Kalamazoo Award sur ebay!!! le modèle le plus haut de la gamme Gibson en 1981...tout simplement

http://cgi.ebay.com/Gibson-Kalamazoo-Award-L-5-archtop-guitar-vintage_W0QQitemZ110334037514QQcmdZViewItemQQptZGuitar?hash=item110334037514&_trksid=p3286.c0.m14&_trkparms=72%3A1205%7C66%3A2%7C65%3A12%7C39%3A1%7C240%3A1318%7C301%3A0%7C293%3A1%7C294%3A50

Non, Igor, cette fois je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas..., je ne craquerai pas...,

m'en fous elle est montée a l'envers

( putain qu'ell est belle )

Sûr que si j'avais gagné au loto (mais je ne joue pas) ou le prix nobel (mais je suis encore un peu jeunot)... Je craquerais !

les inlays sont en trop à mon goût mais ... c'est une super guitare, ci dessous un article/interview sur la kalamazzo award (qui est la suite logique de la citation) ) tiré du site du magasine vintage guitar (voir la rubrique features pleins de bonnes choses)

Citation :

In 1978, Gibson craftsman Wilbur Fuller produced the company's first hand-carved, tuned-by-ear custom guitar. The instrument, which in a blind sound-off with some of the best instruments of its era, won the hearts of Gibson brass, ultimately became the Kalamazoo Award.

Gruhn's Guide to Vintage Guitars tells us that the Kalamazoo Award was a 17" full-depth archtop with a rounded cutaway and solid carved top, solid maple sides, and carved maple back. Adding to its magnificence were an ebony bridge with pearl inlays, wood pickguard with abalone inlay, multi-bound top and back, bound f-holes, bound ebony fingerboard with abalone block inlays, multi-bound peghead with inlay matching the pickguard, and gold-plated hardware.

But all that aside, Fuller says the reason for the Award was his dream to build a guitar that drew its tone from a top, back, and braces that were all finely tuned - by his ear alone!

"I had studied and talked with the old craftsmen, and dreamed of the day I could experiment with a lightweight, tuned, carved guitar," said Fuller, who worked for Gibson from 1954 until he retired on the last day of 1980. "I watched them tune tops and backs for the Citation (a similarly fancy archtop made by Gibson in 1969-'70 and again from '79 to '83), and it was very intriguing. The tops were tuned to C, the backs to D.

"To me, this didn't go far enough. I decided that each brace, after being glued in place, should be tuned to a separate pitch, and the back tuned to one of these. I felt taking away a lot of wood would improve the tone, and I set the graduation to 7/64" at the rim, increasing to 10/64" and 11/64" at the center. This included the cutaway and the head block area.

"So I started building what would become the Kalamazoo Award. I asked Mike Korpac, from production, to get me the parts for a carved instrument. Mike designed the head veneer, tailpiece, and finger rest, while I dished out the top and back next to the binding, then graduated them. I braced the top and tuned the bass brace to C and the treble brace to D. I also tuned the back to D, to match the treble brace.

"Taking wood off of the brace lowers the pitch, and sanding the crown out of the back produces the same effect. The old craftsmen talked about tuning tops and backs, but that was all they had. They were not braced, and neither was the body. Little did they know that when the top and back were glued to the rim, all pitches changed!

"I built the guitar under pressure. I'd button it together around the sides, then tap on it. If it needed a change, I'd take it apart and carve more wood off. I buttoned the bodies together, with no glue, each time removing wood from the braces until the pitch was perfect. While the body was still buttoned together, the crown in the back could be sanded down until it matched the treble brace. This method of tuning wood remained even after the instrument was strung up.

"I'd use a small rubber mallet or my index finger to tap over each brace at the notch in the f-hole or bridge point. I listened closely with my ear as I tuned these guitars - they were not mechanically tuned.

"When the guitar was finished, it would be in tune. The inspection department couldn't believe that I could tune by tapping on wood, so they took one of the finished guitars and put it on the strobe tuner. It noted perfectly!"

Though certain specs and accoutrements were borrowed from the Gibson Citation - which preceded and influenced Fuller's design - the flying bird peghead/pickguard/tailpiece inlay is unique to the Award.

Production of the Award lasted until 1984, and there are about 85 of these precious beauties with Wilbur Fuller's name and date on the label inside. Their appointments, tone, playability, and scarcity combine to make the Award a very soughtafter instrument; expect to pay upwards of $18,000 if you find one!

"Building the Gibson Kalamazoo Award was my proudest moment at Gibson," said Fuller.

JP: non tu ne craqueras pas, non tu ne craqueras pas... mais tu peux toujours faire une offre

....Toujours aucune offre......elle est sur Grenoble me semble t il.... ................

http://cgi.ebay.fr/Guitare-jazz-Archtop-master-luthier-US-gibson-L5_W0QQitemZ170293061842QQcmdZViewItemQQptZFR_YO_InstrumentsMusique_Guitares?hash=item170293061842&_trksid=p3286.c0.m14&_trkparms=72%3A1526%7C66%3A2%7C65%3A12%7C39%3A1%7C240%3A1318

Une ES 175 1953 (1x P90) à prix décent... reste 12h!

http://cgi.ebay.com/1953-Gibson-ES-175-all-origional-beauty_W0QQitemZ130280334357QQcmdZViewItemQQptZGuitar?hash=item130280334357&_trksid=p3286.c0.m14&_trkparms=72%3A1205%7C66%3A4%7C65%3A12%7C39%3A1%7C240%3A1318%7C301%3A0%7C293%3A2%7C294%3A200